my lament
Posted: Wed Dec 23, 2015 12:04 am
I appreciate the enormous capacity, and creative ability of this great Casablanca line, but I see one great limitation and DON'T see Jeorg Sprava et al, doing ANYthing about! It is nearly impossible to record video and sound on separate systems, and sync them over a production of greater than 5 minutes. I know of 2 producers in our midst who manage to do this, but the process they use mystifies me. This is not to insult them in the least, I just can't see how it works. One big reason the production world is NOT giving a lot of attention to the whole line, why its user universe is NOT growing as much as it could, is sound-picture sync. I have a great use for the S6K because I believe in visual primacy. In my 5 minute videos on missions and missionaries, I use talking heads very sparingly, so sound on card works. There's enough quality in the recording to make it work. Even using I cams and Filmic Pro, I can put the sound in the Iphone, and it works well.
But the fact remains, as long as MacroMoition ignores longer length sync issues, and doesn't make it easy to capture and hold sync on longer shows, the whole Casablanca line will be left on the shelf as a serious postproduction choice. True, it is far easier to learn and use than its more famous competitors, but I am going no further than my S6K with this line, and that is the sole reason. Fix the sync issues, Mr.Sprava!
But the fact remains, as long as MacroMoition ignores longer length sync issues, and doesn't make it easy to capture and hold sync on longer shows, the whole Casablanca line will be left on the shelf as a serious postproduction choice. True, it is far easier to learn and use than its more famous competitors, but I am going no further than my S6K with this line, and that is the sole reason. Fix the sync issues, Mr.Sprava!